Autumn in Yunoyama Onsen
An old Japanese travel poster, red maples and golden hills. All the warmth of autumn, to explore further in our fall wall art guide.
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Exactly the poster I was looking for
My feedback is simple: I loved the idea, the quality, the packaging and how fast it arrived. All the projects were unique and interesting but this one was something I did not expect to find but when I did, I knew it was exactly the poster I was looking for to hang on my wall
Store reviewElles ont fait sensation
Les deux affiches que j'ai offertes ont fait sensation
Store reviewLes visuels sont conformes à la réalité
Très satisfaite de mon achat ! Le site est facile à utiliser, le choix de design est large et les visuels sont conformes à la réalité. Livraison rapide et produit bien emballé. Le rendu est superbe une fois installé. Je recommande sans hésiter !
Store reviewDes dessins adorables et un beau papier
J'adore l'univers de Heure d'été, plein de douceur et de poésie ! J'ai choisi ce très joli calendrier aux notes enfantines, je trouve les dessins adorables et le papier glacé de très belle qualité. Je n'en reçois que des compliments ! Les affiches poétiques me donnent aussi plein d'idées déco et cadeaux qui sortent vraiment de l'ordinaire !
Store reviewLa touche déco qu'il manquait
Quelle découverte ! Heure d'été - Studio c'est vraiment l'eshop d'affiche déco poétique parfait. J'ai commandé l'affiche "Il faut s'aimer" et je l'ai reçue en 3 jours. L'affiche est magnifique. C'est la touche déco qu'il manquait dans ma bibliothèque. Je commanderai à nouveau, c'est sur !
Store reviewWhy old posters are returning to our walls, how to recognize a good one, and how to make it speak with a home of today.
Read the guide
A woman in profile, crowned with jewels, her golden hair spread before a great disc where the twelve signs of the zodiac turn. The title La Plume at the top, the golds and browns of an Art Nouveau lithograph, on thick matte eco-friendly paper.
Printed and shipped from a studio near you: most orders arrive in 5 business days.
Because in a world that changes at full speed, vintage has a rare power to reassure and to inspire. An old poster recalls a time when people took their time: train journeys, illustrated magazines, hand-painted advertising. Each image carried an intention, a graphic coherence that is rarely found in today's digital output.
This return belongs to a broader movement, emotional decor, which favors objects that carry a story. A vintage poster, with its slightly faded tones and its controlled imperfection, breaks the coldness of interiors that are too smooth.
Mucha's Zodiac is the perfect example. Drawn in 1896 for the printer Champenois, the lithograph so pleased Léon Deschamps, editor of the review La Plume, that he made it his calendar for 1897. A commercial image that became one of the most famous of Art Nouveau, and has not aged a day.
The principle: create a dialogue between two eras by playing on contrast rather than erasing it. A thin, modern frame around an old image, a light wall to bring out its colors, and chosen neighbors: typography, photography or an abstract piece. Three measurements do the rest.
The standard gallery rule, about 57 in (145 cm), measured at the center of the piece and not at the hook. A vintage poster is read in detail: at eye level, you can make out its lettering and ornaments.
Above a sideboard, a console or a sofa, the poster looks right when it covers about two thirds of its width. Narrower, it floats; wider, it overwhelms.
About 15 to 20 cm: enough for the poster to breathe, little enough for it to stay connected to the furniture and form a single composition with it.
It is an image designed to convey a story, a place, a season or an emotion, through graphic choices rooted in their time. Genuine period pieces are the best example. In 1856, the architect Owen Jones published The Grammar of Ornament, one hundred color plates recording the decorative patterns of the whole world.
Plate XXVI, an interlacing of deep blue flowers on a white ground, looks as though it was drawn yesterday: that is the whole secret of vintage done well.
Because their soft tones and floral compositions blend effortlessly into a current setting: light wood, linen, white walls. The patterns of William Morris, leader of the Arts & Crafts movement, prove it: born for wallpapers and textiles, they can hold an entire wall on their own.
Marigold unrolls its blue foliage over a pale ground: a calm piece that brings pattern without weight. The whole series is gathered in the William Morris collection.
Yes, as long as its composition is strong. Clean lines and bold colors command the space without weighing it down: the poster becomes a piece of character that draws the eye without dominating the room.
The Great Wave off Kanagawa, by Hokusai, is probably the most recognizable old image in the world. Its blue and its foam read from one end of the room to the other. More prints await in the Japanese woodblock prints collection.
A journey, a page from a novel, a poet's drawing: three ways to bring the past to your wall.
An old Japanese travel poster, red maples and golden hills. All the warmth of autumn, to explore further in our fall wall art guide.
The madeleine page, set like a page from an old edition. Vintage at its purest: a memory that returns intact.
A drawing in ink and brown wash, dated 1866. Its browns and ochres have the patina of an old engraving.
Because period posters were made to be seen from afar, on a wall or a hoarding. In 50x70 cm (20x28 in), the Zodiac recovers its scale: you can make out each sign in the disc, each lock of hair, each ornament of the drawn border.
Above a stack of books, a console or a flea-market chest of drawers, it gives the room a depth that ten small frames could not. If you would rather group several, our guide to composing a gallery wall will help.
A poster that takes up the graphic codes of a past era, or comes directly from one: Art Nouveau posters, ornament plates, woodblock prints, travel posters. It tells of a place, a season or an emotion with colors and typography rooted in their time.
By playing on contrast: a thin, modern frame, a light wall, and contemporary neighbors such as typography, photography or an abstract piece. The old poster then becomes a piece of character rather than a period set.
A thin frame, in natural wood or black, that sets off the image without competing with it. Overly ornate frames weigh down a poster that is already rich in ornament.
A woman in profile before a disc bearing the twelve signs of the zodiac. Alphonse Mucha drew it in 1896 for the printer Champenois; the review La Plume made it its calendar for 1897.
One that speaks to the person: the Zodiac for an Art Nouveau lover, a William Morris pattern for a country house, the Proust page for a great reader. A gift idea that outlasts fashions, for Christmas as for a housewarming.
A vintage poster is a century that comes to sit in your living room. Choose the one you want to live with.
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